When we grow up, we apply the same technique to people. They, too, have a complex, underlying drawing underneath, which they don’t even know themselves, as it’s been painted-over. We uncover it only partially, and the result depends on how much talent we actually have. The talent to listen, to empathise, but above all – to wonder. If you apply a judgement tool (that’s a very blunt one) your drawing will probably be ugly. You may even make a hole in it, damaging the underlying design. Personally, my favourite is a moderately sharp, relatively thin plastic stick. I uncover some spots here and there, draw a few intuitive lines, and continue from there. Or I back off, discouraged or scared at what I’ve seen.
At times what I discover is of such beauty, that I’m tempted to scratch further, to see the complete picture, to know more, to understand everything - so much do I suddenly crave to know the answer. "Who are you?"
But there
is a reason why the underlying design is covered in black ink. You can never
remove it completely and go back to the original. There will always be ugly
black traces left, and all the damage left by scratching, sometimes irreparable
, even if you use the gentlest tools. If you like your drawing already,
don’t try to improve it. Stop there, step back and wonder at your talent in
creating people around you.
Someone
else would have drawn these lines differently, someone else would have
uncovered someone quite different.
That’s why
we can be loved, hated or ignored at the same time by different people. But it
has little to do with us.
No comments:
Post a Comment